Artist; Ewan Uglow


When comparing Morandi to the artist Ewan Uglow whose style of tone is different it is interesting to see how Uglow depicts out the light and dark of the forms and the huge colour differences he uses to display this, more like Cezanne. Uglow is a British artist who often painted the human figure and still life, his work uses block tone to differentiate the differences between the light and dark areas. Notice below how compared to Morandi the way Uglow uses block s of colour to create the shading on the pear rather than a smooth gradient like Morandi. In my opinion it is not as effective as to me it creates a block like structure because the eye cannot gradually move round a gradient it has to see one bock of colour then skip to the next to perceive the form.Uglow Pears Artist; Ewan Uglow

I still think the way Uglow achieves the tonal value of the green colour is very effective however I feel Morandi s way of smoothly allowing the eye to see his forms is more effective. I can see that Uglows way could be more perceived as abstract although he does keep a certain distinction of reality in his work the way it is blocked on to me just isn’t realism in still life, although I am open to other forms of realism and admire there technique as an inspiration in other ways. My favourite is the approaches of Morandi and other Italian Artists such as Michelangelo. Another example of Uglows block tonal work can be seen in this still life painting of a figure where the body seems to be made up of segments of tone, this can be a lot like line tonal art as that is a collective of lines in places to create the form where as this is a collective of certain tonal colour values grouped together to create the form.Uglow Seated Fig Artist; Ewan Uglow

In conclusion there are many types of tonal art on all kinds media and the way each distinctive artist uses tone to create there work gives the viewer a different experience, to me when I look at smooth deep tonal work with slight values of colour to create form such as Morandi, I see depth and a certain link to real life viewing compared to when I see work such as Uglows I see blocks of different colour that relate flat shapes but each viewer is to there own and there is no right or wrong way it is just an expression of the Artists perception.

pictures:
(http://bavaroclasswork.homestead.com/files/Uglow-Seated-Fig.jpg)
(http://bavaroclasswork.homestead.com/planarartists.html)

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Art Director Adam Atkinson

Currently living in Islington and working in Farringdon, London as an Art Director at POSSIBLE and Grey London on international joint venture clients such as SEAT, Visa and Puma. Averaging about five bake-well tarts a week whilst doing so.

Yearly lecturer at The University of Leeds. Previously at Momentum Worldwide Manchester Agency. Attaining a Masters in Advertising & Marketing and an International BA honors in Graphic Communication Design.

Constantly challenging new creative possibilities in all aspects of offline and online communication from idea generation and concept visualisation through to design and production.

Tel: +44 {0}7890698547
E: contact@adamatkinson.co.uk
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